Place Category: Acting School
- The HB Studio is a non-profit 501 organization offering professional training in the performing arts through classes, workshops, free lectures, theater productions, theater rentals, a theater artist residency program, as well as full-time study through their International Student Program and Uta Hagen Institute.
HB Studio is a school created by theater artists. We believe in a process of training that is essential to all the performing arts. We offer a rigorous, well-rounded curriculum of study for committed students of all levels where the actor’s unique potential is cultivated and encouraged. We provide a haven for working professionals, free from commercial pressures. Working in partnership with the HB Playwrights Foundation and Theatre, we uphold a standard of performance that can play a significant role in shaping today’s contemporary and classical theater – a standard envisioned by our founder, actor/director Herbert Berghof, and championed by the actor and master teacher Uta Hagen.
UTA HAGEN: MASTER TEACHER
Legendary actress, teacher, and author Uta Thyra Hagen was born on June 12, 1919 in Göttingen, Germany to an artistic family. Her mother was a Danish opera singer and teacher, and her father started the Handel Opera Festival in Göttingen. Six years after Hagen’s birth, the family emigrated to the United States, moving to Madison, Wisconsin. It was here, in the Midwest, where Hagen was raised until the age of sixteen.
Determined to be an actress from an early age, Hagen performed in school plays and read the works of celebrated playwrights Shakespeare, Goethe, and Moliere. After her graduation from Wisconsin High School, she continued brief studies at London’s Royal Academy of Dramatic Art and the University of Wisconsin, where she made her first stage appearance as Sorrel in Noël Coward’s HAY FEVER and said of her experience, “In Bascom Hall at the University of Wisconsin I started to believe, perhaps I was an actress.”
In 1937, Hagen achieved her first professional role as Ophelia in Le Gallienne’s production of HAMLET at the Cape Playhouse in Dennis, Massachusetts. The following year, Hagen went on to play the leading role of Nina in her first Broadway production of Anton Chekhov’s THE SEAGULL. Hagen was just 18 at the time.
In the longest-running Shakespearean production ever in the history of Broadway, Hagen played Desdemona, opposite Paul Robeson as Othello and her then-husband Jose Ferrer as Iago (1943-44). She took the Broadway stage again in the replacement role of Blanche DuBois in A STREETCAR NAMED DESIRE, and later for the national tour, which closed in 1949.
It was in the 1947 Broadway production of THE WHOLE WORLD OVER, directed by Harold Clurman, where Hagen met her co-star and future husband, Herbert Berghof. That fall, she would join the faculty at Herbert Berghof Studio (HB Studio) where she taught tirelessly until the end of her life.
Hagen originated the role of Georgie Elgin in Clifford Odets’ THE COUNTRY GIRL, winning her first Tony Award in 1951. Hagen also played George Bernard Shaw’s SAINT JOAN on Broadway that same year.
She married Herbert Berghof in 1957 and played opposite him in the New York City Center production of TOVARICH. Through the 50s and 60s, they toured together in THE LADY’S NOT FOR BURNING, THE AFFAIRS OF ANATOL, and CYPRIENNE (DIVORÇONS) by Sardou. She was famous for originating the role of Martha in the 1962 Broadway premiere of WHO’S AFRAID OF VIRGINIA WOOLF?, in which she earned her second Tony Award and won the London Critics Award for her role in the English production.
Throughout her career, Hagen made several television appearances, including PLAYHOUSE 90, KRAFT THEATRE PLAY OF THE WEEK, CBS specials, guest appearances on THE LONG HOT SUMMER, LOU GRANT, THE TWILIGHT ZONE, and THE HOME on PBS’s AMERICAN PLAYHOUSE. She received Daytime Emmy Award nominations for her television appearances in ONE LIFE TO LIVE (1986) and ABC AFTERSCHOOL SPECIALS – SEASONAL DIFFERENCES (1987). Hagen also appeared in the films REVERSAL OF FORTUNE (1990) and THE BOYS FROM BRAZIL (1978), for which she was nominated for an Academy Award for Best Supporting Actress.
Uta Hagen was a transcendent actor, life-changing teacher, and blazingly honest advocate for the relevance and power of theater. Her integrity was legendary; she defiantly told truth to power and took personal and professional risks for the sake of great art. During the McCarthy era, Hagen was put on the Hollywood blacklist, and as a result, her film opportunities dwindled and she focused her career on teaching and New York theatre.
Hagen was one of the most renowned and respected acting teachers of the 20th century. She was highly sought-after and influential among those she trained at HB Studio, and quickly adopted the role of master teacher and studio co-lead, beside her partner in love and work, Herbert Berghof. During her time at the acting studio, she authored best-selling acting texts, the seminal RESPECT FOR ACTING and the definitive A CHALLENGE FOR THE ACTOR. Both texts still enjoy worldwide distribution among university students studying drama. Her most substantial contributions to theatre pedagogy were a series of “object exercises” that remain prominent training for acting professionals. In 2001, the documentary UTA HAGEN’S ACTING CLASS features Hagen in a series of master classes on her exercises.
Notable actors that studied under Uta Hagen include Katie Finneran, Liza Minnelli, Whoopi Goldberg, Jack Lemmon, Debbie Allen, F. Murray Abraham, Rita Gardner, Steve McQueen, Amanda Peet, Marlo Thomas, Jerry Stiller, Charles Nelson Reilly, and Hal Holbrook, among many others.
After the death of her husband in 1990, Hagen concentrated on reorganizing HB Studio and The HB Playwrights Foundation, and continued to appear in many of the Foundation’s productions. She played the title role in Nicholas Wright’s MRS. KLEIN, a production that won great critical acclaim during its 1996-1997 run and later toured with major appearances. For her work in MRS. KLEIN, Hagen won the Obie Award.
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